Victoria Horne is a Postdoctoral Fellow at the Paul Mellon Centre for British Art and teaches courses on contemporary art at the University of Edinburgh. In 2012, she established the Writing Feminist Art Histories research initiative. Lara Perry is the Academic Programme Leader for History of Art and Design at the University of Brighton. She is the author of History's Beauties: Women and the National Portrait Gallery, 1856 - 1900 (2006) and co-editor of Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions (2013).

Table of ContentsAcknowledgementsNotes on ContributorsIntroductionFeminism and Art History Now: Making and Maintaining the PastVictoria Horne and Lara PerryI. Visibility, Intervention, Refusal1. Making Visible Lee Krasner's Occupation: Feminist Historiography and the Pollock Krasner StudioAndrew Hardman2. Challenging Feminist Art History: Carla Lonzi's Divergent PathGiovanna Zapperi3. This Moment: A Dialogue of Participation, Refusal and History MakingAngela Dimitrakaki and Lara PerryII: Temporality, Ghosts, Returns4. Temporalities of the 'Feminaissance'Francesco Ventrella5. Gestures of Inclusion, Bodily Damage and the Hauntings of Exploitation in Global Feminisms (2007)Kimberley Lamm6. Learning and Playing: Re-Enacting Feminist HistoriesCatherine GrantIII. Spatiality, Occupation, Home7. Los Angeles 1972 / Glasgow 1990: A Report on WomanhouseHannah Hamblin8. From Housework to Housing: Social Reproduction and Feminist Art History Kirsten Lloyd9. The Salon Model: The Conversational ComplexElke KrasnyIV. Communication, Speaking, Storytelling10. "Our Stories Are Our Life Blood": Indigenous Feminist Memory and Storytelling as Strategy for Social ChangeCherry Smiley11. An Unfinished Revolution in Art Historiography, or How to Write a Feminist Art HistoryVictoria Horne and Amy Tobin12. Sounding Out Manifesto Forms: A proposition for feminism's queer art historiesLaura Guy